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Ernst Krenek (1900) Options
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Ernst Krenek (1900)

Krenek was an Austrian-American composer born in Vienna to Czech parents. He studied in Berlin and Vienna and began composing in the 1920s. His 1926 jazz opera, Johnny Strikes Up, was extremely successful and has been translated into many languages. He explored atonal and 12-tone compositions, which lack a definable key. In 1937, Krenek moved to the US, where he became a citizen in 1945. In 1924, he began a short-lived marriage to the daughter of what famous composer? More...
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Ernst Krenek (1900)
Krenek was an Austrian-American composer born in Vienna to Czech parents. He studied in Berlin and Vienna and began composing in the 1920s. His 1926 jazz opera, Johnny Strikes Up, was extremely successful and has been translated into many languages. He explored atonal and 12-tone compositions, which lack a definable key. In 1937, Krenek moved to the US, where he became a citizen in 1945.
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Ernst Krenek (1900)
Krenek was an Austrian-American composer born in Vienna to Czech parents. He studied in Berlin and Vienna and began composing in the 1920s. His 1926 jazz opera, Johnny Strikes Up, was extremely successful and has been translated into many languages. He explored atonal and 12-tone compositions, which lack a definable key. In 1937, Krenek moved to the US, where he became a citizen in 1945.
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Krenek, Ernst
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Ernst Krenek

Ernst Krenek (August 23, 1900 – December 22, 1991) was an Austrian, later American, composer of Czech origin. He explored atonality and other modern styles and wrote a number of books, including Music Here and Now (1939), a study of Johannes Ockeghem (1953), and Horizons Circled: Reflections on my Music (1974). Krenek wrote two pieces using the pseudonym Thornton Winsloe.
Life

Krenek was born in Vienna (then in Austria-Hungary) as the son of a Czech soldier in the Austro-Hungarian army. Throughout his life, however, he insisted that his name be written Krenek rather than his father's Křenek, and that it should be pronounced as a German word.[citation needed] He studied there and in Berlin with Franz Schreker before working in a number of German opera houses as conductor. During World War I, Krenek was drafted into the Austrian army, but he was stationed in Vienna, allowing him to go on with his musical studies. In 1922 he met Alma Mahler, wife of the late Gustav Mahler, and her daughter, Anna, to whom he dedicated his Symphony No. 2, and whom he married in March 1924. That marriage ended in divorce before its first anniversary.[citation needed]
Jonny spielt auf, the title page of the 1926 vocal score (1st edition)

At the time of his marriage to Anna Mahler, Krenek was completing his Violin Concerto No. 1, Op. 29. The Australian violinist Alma Moodie assisted Krenek, not with the scoring of the violin part, but with getting financial assistance from her Swiss patron Werner Reinhart at a time when there was hyper-inflation in Germany. In gratitude, Krenek dedicated the concerto to Moodie, and she premiered it on 5 January 1925, in Dessau. Krenek’s divorce from Anna Mahler became final a few days after the premiere. Krenek did not attend the premiere, but he did have an affair with Moodie, which has been described as "short-lived and complicated". He never managed to hear her play the concerto, but he did "immortalize some aspects of her personality in the character of Anita in his opera Jonny spielt auf". Jonny, his 'jazz opera' completed in 1926, was an enormous success across Europe and made Krenek a household name for several years; there was even a brand of cigarettes, still on the market today in Austria, named "Jonny".[1] Krenek himself became uncomfortable with this success though, as his musical colleagues criticised the commercialisation of his music, and shortly afterwards changed his compositional direction radically.

The jazz-influenced score of Jonny spielt auf and its central character of a black jazz musician (who is also seen womanising and stealing a priceless violin) brought Krenek the opprobrium of the nascent Nazi Party; the image of Jonny was distorted to form the centrepiece of the poster advertising the Entartete Musik exhibition of so-called 'degenerate' music in 1938. Krenek was frequently named as a Jewish composer during the Third Reich, although he was not, and was intimidated by the regime until his emigration; on March 6, 1933, one day after the election in which the Nazis gained control of the Reichstag, Krenek's incidental music to Goethe's Triumph der Empfindsamkeit was withdrawn in Mannheim, and eventually pressure was brought to bear on the Vienna State Opera, which cancelled the commissioned premiere of Karl V.

with my pleasure
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During World War I, Krenek was drafted into the Austrian army, but he was stationed in Vienna, allowing him to go on with his musical studies. In 1922 he met Alma Mahler, wife of the late Gustav Mahler, and her daughter, Anna, whom he married in March 1924. That marriage ended in divorce before its first anniversary.


At the time of his marriage to Anna Mahler, Krenek was completing his Violin Concerto No. 1, Op. 29. The Australian violinist Alma Moodie assisted Krenek, not with the scoring of the violin part, but with getting financial assistance from her Swiss patron Werner Reinhart at a time when there was hyper-inflation in Germany. In gratitude, Krenek dedicated the concerto to Moodie, and she premiered it on 5 January 1925, in Dessau. Krenek’s divorce from Anna Mahler became final a few days after the premiere. Krenek did not attend the premiere, but he did have an affair with Moodie, which has been described as "short-lived and complicated". He never managed to hear her play the concerto, but he did "immortalize some aspects of her personality in the character of Anita in his opera Jonny spielt auf". In 1924, Krenek also dedicated his Sonata for Solo Violin, Op. 33 to Alma Moodie[1], and his Kleine Suite, Op. 28 (1924) to Reinhart.

https://www.geni.com/people/Ernst-Krenek/6000000008202715993

monamagda
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During World War I, Krenek was drafted into the Austrian army, but he was stationed in Vienna, allowing him to go on with his musical studies. In 1922 he met Alma Mahler, wife of the late Gustav Mahler, and her daughter, Anna, whom he married in March 1924. That marriage ended in divorce before its first anniversary.


At the time of his marriage to Anna Mahler, Krenek was completing his Violin Concerto No. 1, Op. 29. The Australian violinist Alma Moodie assisted Krenek, not with the scoring of the violin part, but with getting financial assistance from her Swiss patron Werner Reinhart at a time when there was hyper-inflation in Germany. In gratitude, Krenek dedicated the concerto to Moodie, and she premiered it on 5 January 1925, in Dessau. Krenek’s divorce from Anna Mahler became final a few days after the premiere. Krenek did not attend the premiere, but he did have an affair with Moodie, which has been described as "short-lived and complicated". He never managed to hear her play the concerto, but he did "immortalize some aspects of her personality in the character of Anita in his opera Jonny spielt auf". In 1924, Krenek also dedicated his Sonata for Solo Violin, Op. 33 to Alma Moodie[1], and his Kleine Suite, Op. 28 (1924) to Reinhart.

https://www.geni.com/people/Ernst-Krenek/6000000008202715993

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