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John Dos Passos (1896) Options
Daemon
Posted: Tuesday, January 14, 2020 12:00:00 AM
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John Dos Passos (1896)

Dos Passos was an American writer whose World War I service as an ambulance driver and later work as a journalist led him to see the US as "two nations"—one for the rich and one for the poor. An artist to boot, he created many of the illustrations and covers for his books. His reputation as a social historian, radical critic of American life, and major novelist of the postwar "Lost Generation" rests primarily on his powerful U.S.A. trilogy, which includes what three novels? More...
Adyl Mouhei
Posted: Tuesday, January 14, 2020 6:56:56 AM

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John Dos Passos was an American writer best known for his ‘contemporary chronicles’ of American life. His early novels, including Manhattan Transfer (1925) and the U.S.A. trilogy — The 42nd Parallel (1930), Nineteen Nineteen (1932), and The Big Money (1936) — are considered classics of American Modernism, offering a complex and multifaceted portrayal of American society from the turn of the century to the Great Depression. The depiction of urban experience in these novels reflects the cinematic montage of Dziga Vertov, the stream-of-consciousness style of James Joyce, and the dynamism and simultaneity of Italian Futurism, among other influences.

In addition to writing fiction, Dos Passos was a dramatist, poet, historian, journalist, travel writer, painter, and translator. His first two novels, One Man’s Initiation: 1917 (1920) and Three Soldiers (1921), are harrowing and highly critical accounts based on his experience as an ambulance driver in the First World War. He published a collection of free verse, A Pushcart at the Curb (1922), as well as translations of the modernist poetry of Blaise Cendrars. In the late 1920s he worked briefly as a director, playwright, and set designer at the Vsevolod Meyerhold-inspired New Playwrights’ Theater in Greenwich Village, where his associates included communist writers like Mike Gold and John Howard Lawson.


Dos Passos, John (1896–1970)
By Hanna, Julian
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